A scientist's drive for artificial intelligence takes on dangerous implications when his own consciousness is uploaded into one such program.
 
This is a unique story about the inclusion of artificial intelligence into our society.  
 
FUN FACT:  Continuing his outspoken advocacy for the use of film stock over digital formats, cinematographer Wally Pfister not only chose to shoot the film in the anamorphic format on 35mm film instead of on a digital camera, but also finished the film photochemically, refusing to use a digital intermediate.